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And it does, without pretense. She makes murals, installations, painting, and other types of mixed media work. The images are often complex black and white patterns and recently has explored the abstract forms created by large brush strokes.
The links between her images and music are clear. There is a rhythm and tone to the pieces, almost a synesthetic quality. Not so much that paintings are singing, more gently humming. Its characters interact with each other and the viewer to reveal the more intricate inner workings of the individual subconscious. She often paints with little or no preparation and engages her instinctive approach to smother spaces with paint, creating chaotic and seductive environments.
Lucy McLauchlan owns a certain creative initiative that easily transforms the drabbest object, and even the exotic one, into unique piece of art. Such works include animal skulls, mock tribal fetishes and store mannequins.
Lucy's anti-consumerist beliefs are over and over represented by her regular use of empty paint pots and other studio detritus; they are painted as part of her passionate support of Britain's Buy Nothing Day.
The show presented a series of canvas work alongside a site-specific installation. It also had a part with collaborative work that involved the participation of musicians whose music affected the artist's drawings. With two tone bold calligraphic strokes, Lucy inked her way in our consciences through the exhibition space while turning the show's preview into a chaotic union of light and noise. Lucy McLauchlan has been represented by Lazarides since the exhibition and continues to show with the gallery regularly.
Faris McReynolds. Eliza Douglas. Jeanne Rorex-Bridges. Byron Kim. Pablo Rey. Derek Erdman. Lucy McLauchlan Instagram. Lucy McLauchlan Wikipedia.
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